МИНИСТЕРСТВО ОБРАЗОВАНИЯ И НАУКИ РФ ФЕДЕРАЛЬНОЕ ГОСУДАРСТВЕННОЕ БЮДЖЕТНОЕ ОБРАЗОВАТЕЛЬНОЕ УЧРЕЖДЕНИЕ ВЫСШЕГО ОБРАЗОВАНИЯ «ВОРОНЕЖСКИЙ ГОСУДАРСТВЕННЫЙ УНИВЕРСИТЕТ» ПРАКТИКУМ ПО ПИСЬМЕННОМУ ПЕРЕВОДУ (лексико-грамматический аспект) Составители: Ю. <...> Княжева Подготовлено на кафедре теории перевода и межкультурной коммуникации факультета романо-германской филологии Воронежского государственного университета Рекомендуется студентам 3-го курса очной и 4 курса очно-заочной форм обучения факультета романо-германской филологии Воронежского государственного университета Для направления 45.03.02 – Лингвистика, специальности 45.05.01 – Перевод и переводоведение Урок 1 There is no body in the family plot, says the poster, and sure enough in the two hours’ traffic of Hitchcock’s latest film there is not a corpse to be seen or a murder to be savoured. <...> Какие приёмы и способы перевода пассивного залога Вы знаете? <...> Обратите внимание на выделенные жирным шрифтом сложные слова. <...> Какой частью речи является слово one в предложениях 1) Family Plot follows so many different directions initially that one needs a pencil and paper to keep up with it и 2) One can see what the film’s original grudging critics had to complain about… Что нужно учитывать при переводе в этих случаях? <...> Как Вы понимаете выражение package satire (в последнем предложении)? <...> Can it really be that the great British institution, afternoon tea, which sustained Empire builders and the morale of the soldier in his trench and featured so elegantly in many drawing-room plays between the wars, is gone? ‘The sad truth is that afternoon tea, possibly the last remaining British culinary experience, simply is not a good enough profit-maker to justify its perpetuation.’ That is the conclusion of Caterer and Hotelkeeper after a round-up of leading British hotels. <...> In London at least afternoon tea lives. ‘My dear, afternoon tea is an institution,’ said the lady at the Dorchester. ‘We are nearly always packed out. <...> The hotel provides a selection of teas and sandwiches with cakes, pastries and ‘the most delicious cream’. 6 At the Grosvenor Hotel, Victoria, afternoon tea <...>
Практикум_по_письменному_переводу_(лексико-грамматический_аспект)_.pdf
МИНИСТЕРСТВО ОБРАЗОВАНИЯ И НАУКИ РФ
ФЕДЕРАЛЬНОЕ ГОСУДАРСТВЕННОЕ БЮДЖЕТНОЕ
ОБРАЗОВАТЕЛЬНОЕ УЧРЕЖДЕНИЕ
ВЫСШЕГО ОБРАЗОВАНИЯ
«ВОРОНЕЖСКИЙ ГОСУДАРСТВЕННЫЙ
УНИВЕРСИТЕТ»
ПРАКТИКУМ
ПО ПИСЬМЕННОМУ ПЕРЕВОДУ
(лексико-грамматический аспект)
Составители:
Ю.А. Дымант,
Т.М. Ломова
Учебное пособие для вузов
Воронеж
Издательский дом ВГУ
2015
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Урок 1
There is no body in the family plot, says the poster, and sure enough in the
two hours’ traffic of Hitchcock’s latest film there is not a corpse to be seen or a
murder to be savoured. To all appearances, Hitchcock’s 53rd, and probably last,
feature film is the gentlest of comedy thrillers: a four-handed essay in suspense
involving two kidnappers, a lady spiritualist and a taxi driver. There is much talk
of murder in the film, and much sinister to-ing and fro-ing in graveyards: but there
is little actual bloodshed, and the film’s exotic plot is kept busy for the most part
by Hitchcock’s liberal strewing about of red herrings.
Family Plot has been damned with faint praise on its first appearances in
America and at the Cannes film festival. The film being Hitchcock’s swan-song,
disappointment has been tempered with politeness; but it is easy to see why the
film didn’t please those Hitchcock fans who expect the Master to keep following
the same paths – or at least to blaze a clear and consistent new one. Family Plot
follows so many different directions initially that one needs a pencil and paper to
keep up with it.
One can see what the film’s original grudging critics had to complain about
– the early scenes are too choked up with exposition, the later ones too freely lubricated
by coincidence. For this is Hitchcock with his tongue firmly in his cheek.
He makes his customary guest appearance as a silhouette behind an office door,
wagging a finger at a difficult client. And he would wag the same finger at a difficult
audience: at any film-goer who took Family Plot too seriously to enjoy its rich
comic undercurrent as a kind of package satire on spiritualism, the Church and all
things ‘other-worldly’.
From an article in The Financial Times by Nigel Andrews. (Adapted)
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Урок 2
A cheering cuppa suits ’em to a T
It was Rupert Brooke who asked if there was honey still for tea. Well, according
to a Caterer and Hotelkeeper survey published today, there ain’t no honey
and, what’s more, there ain’t no tea.
Can it really be that the great British institution, afternoon tea, which sustained
Empire builders and the morale of the soldier in his trench and featured so
elegantly in many drawing-room plays between the wars, is gone?
‘The sad truth is that afternoon tea, possibly the last remaining British culinary
experience, simply is not a good enough profit-maker to justify its perpetuation.’
That
is the conclusion of Caterer and Hotelkeeper after a round-up of leading
British hotels.
But we have news for The Caterer and Hotelkeeper. When the clock strikes
three, out comes the porcelain and the silver tea-pot and the cucumber sandwiches.
In London at least afternoon tea lives.
‘My dear, afternoon tea is an institution,’ said the lady at the Dorchester.
‘We are nearly always packed out. People have to queue. In the winter we serve
something like 100 teas.
‘Of course, it will drop off a bit this week, what with people on holiday and
at Goodwood.’
From 4.0 p.m. to 5.30 p.m. on Monday to Saturday there is tea in the restaurant
foyer of the Savoy. The hotel provides a selection of teas and sandwiches with
cakes, pastries and ‘the most delicious cream’.
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At the Grosvenor Hotel, Victoria, afternoon tea is ‘flourishing’. At the Ritz,
tea is still served with a great deal of pomp and circumstance. ‘We do require people
to dress properly for tea at the Ritz,’ said a spokesman. ‘Gentlemen must wear
a collar and tie.’
From an article in Evening Standard by Georgina Walsh.
Задание 1. Определите функцию, выполняемую местоимением it в первом
предложении. Какие трансформации необходимо применить при переводе?
Переведите приведённые ниже предложения.
1) It was Rupert Brooke who asked if there was honey still for tea.
2) It was my boss who first told me about the new vacancy.
3) It wasn’t John who caused all the trouble, although everyone seemed convinced
that it was.
4) It was my new dress that I ruined, unfortunately.
5) It’s Jones I want to speak to, not Johnson.
6) It must have been my sister that you saw.
Задание 2. Обратите внимание на синтаксис второго абзаца. Какие
синтаксические и грамматические конструкции представляют собой переводческую
трудность? Разбейте предложение на смысловые группы. Переведите
предложение, используя синтаксические трансформации (членение, перестановки
и др.). Какое значение многозначного слова institution релевантно
для данного контекста?
Задание 3. Найдите в тексте примеры употребления вставных конструкций.
Какие приёмы необходимо применить при переводе?
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Задание 4. Определите функцию инфинитива с частицей to в следующем
предложении: Afternoon tea is not a good enough profit-maker to justify its
perpetuation. Предложите вариант перевода.
Задание 5. Найдите в тексте атрибутивные группы. Какие трансформации
применяются при переводе атрибутивных групп и почему?
Задание 6. Найдите в тексте фразеологизмы и эмфатические конструкции.
Какие приёмы Вы будете использовать при переводе? Выполните перевод
приведённых ниже предложений:
1) We do require people to dress properly for tea at the Ritz.
2) You do look pale! Do you feel all right?
3) He does sound cross! Has something upset him?
4) I did enjoy myself last night! Thank you so much for inviting me.
5) She did do well in her exams, didn’t she?
6) I do like your dress. Is it new?
Задание 7. В чём заключается приём компенсации при переводе?
Найдите в тексте единицы, при переводе которых необходимо использовать
приём компенсации, и предложите свой вариант перевода.
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