Журнал Сибирского федерального университета
Journal of Siberian Federal University
Гуманитарные науки
Humanities & Social Sciences
Редакционный совет:
академик РАН Е.А. Ваганов
академик РАН И.И. Гительзон
академик РАН А.Г. Дегерменджи
академик РАН В.Ф. Шабанов
чл.-корр. РАН, д-р физ.-мат. наук
В.Л. Миронов
чл.-корр. РАН, д-р техн. наук
Г.Л. Пашков
чл.-корр. РАН, д-р физ.-мат. наук
В.В. Шайдуров
чл.-корр. РАН, д-р физ.-мат. наук
В.В. Зуев
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Vladimir V. Zuev
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CONTENTS / СОДЕРЖАНИЕ
Abdolmajid Ahmadi
Techniques of the Commedia Dell’arte in the Poetics of Plays
of M.A. Kuzmin
– 775 –
Sahar Farrahi Avval
Communication Strategies: an Analysis of Communication
Strategies Used by Iranian Students of Translation Studies in
Translation from Persian into English
– 782 –
Victoriya A. Danileiko
Government Institutions and Scientific Organizations and their
Role in the Ethnographic Study of the North of Siberia in
1920$1930-s.
– 798 –
Nikolai P. Makarov
The Ancient Stages of the Culture Genesis of the Krasnoyarsk
Northern Indigenous Peoples
– 816 –
Mikhail S. Batashev
Ethnic History of Indigenous Peoples of the Yeniseysky Uyezd
in the 17th
Century and Their Fortunes
– 842 –
Victor P. Krivonogov
The Dolgans’ Ethnic Identity and Language Processes
– 870 –
Vladimir I. Kirko,
Anna V. Keusch and Nikolay G. Shyshatskiy
Questions of Formation of Territories of Traditional Environmental
Management
– 882 –
Компьютерная верстка Е.В. Гревцовой
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Отпечатано в ПЦ БИК. 660041 Красноярск, пр. Свободный, 82а.
2013 6 (6)
Стр.1
Consulting Editors
for Humanities & Social Sciences:
Gershon M. Breslavs
Sergey V. Deviatkin
Sergey A. Drobyshevsky
Sergey M. Geraschenko
Oleg M. Gotlib
Boris I. Khasan
Galina A. Kopnina
Natalia V. Kovtun
Aleksandr A. Kronik
Pavel V. Mandryka
Boris V. Markov
Valentin G. Nemirovsky
Daniel V. Pivovarov
Andrey V. Smirnov
Viktor I. Suslov
Evgeniya V. Zander
Igor S. Pyzhev
Vladimir I. Suprun
Liudmila V. Kulikova
Olga G. Smolyaninova
Nicolai N. Petro
Dr. Suneel Kumar
Olga S. Tolstikhina, Vladimir L. Gavrikov,
Rem G. Khlebopros and Viktor A. Okhonin
Demographic Transition as Reflected by Fertility and Life
Expectancy: Typology of Countries
– 890 –
Elena N. Viktoruk and Olga S. Ardykova
Universals and Pragmatics as Substantial Reference Points of
Modern Ethical Education
– 897 –
Irina A. Mezhova,
Tatiana A. Samylkina and Evgenia B. Bukharova
The Areas of Compact Settlement of the Indigenous and Smallnumbered
Peoples of the North of Krasnoyarsk Krai: Setting
the Objective
– 906 –
Semen Ya. Palchin
The Current Social and Economic Data on the Indigenous
Small-Numbered Peoples of the North as of 2012
– 913 –
Kseniya V. Reznikova
Свидетельство о регистрации СМИ
ПИ № ФС77-28-723 от 29.06.2007 г.
Серия включена в «Перечень ведущих
рецензируемых научных журналов
и изданий, в которых должны
быть опубликованы основные научные
результаты диссертации на
соискание ученой степени доктора и
кандидата наук» (редакция 2010 г.)
Preservation and Transformation of Certain Aspects of the
Traditional Way of Life of the Indigenous and Small-Numbered
Peoples of the North, Living in the Settlements (Posyolki) of
Turukhansk and Farkovon
– 925 –
Стр.2
Journal of Siberian Federal University. Humanities & Social Sciences 6 (2013 6) 775-781
~ ~ ~
УДК 82-25
Techniques of the Commedia Dell’arte
in the Poetics of Plays of M.A. Kuzmin
Abdolmajid Ahmadi*
Tomsk Polytechnic University,
30 Lenin Str., Tomsk, 634050 Russia
Received 15.01.2013, received in revised form 15.02.2012, accepted 24.04.2013
The paper explores
techniques of the commedia dell’arte, used in the dramatic works of
M.A. Kuzmin. We give a particularly detailed study of two major pieces – “The Venetian Madcaps”
and “Mary’s Tuesday” and the reason for the application of these techniques. Techniques of
dell’arte allowed deliberate use of typifi cation, suitable to depict common human situations.
Keywords: commedia dell’arte, pastiche, masks, play.
1. Introduction
Mikhail Alekseevich Kuzmin (1872-1936)
looks odd in the literature of Russian “Silver
Age”.
the symbolism,
In late 1900, he formally belonged to
and in 1916, literary critic
V. Zhirmunskii argued that Kuzmin “is linked
to the symbolism by the mystical nature of
his experiences, but he does not bring these
experiences into his poetry” (Zhirmunskii V.M.,
p. 107). With this defi nition it is not clear why
Kuzmin should be considered symbolist poet.
And since he anticipated neoclassical fi ndings of
acmeism, then he is often seen as among acmeists,
despite his statements that acmeism is “stupid
and ridiculous...” (Kuzmin M.A. (1922), p. 100),
that acmeism is “made-up and violent school...”
(Kuzmin M.A. (1923), p. 116). In 1909, Kuzmin
wrote: “... let the world discernment be mystical,
realistic, skeptical or even idealistic <...> let
creativity techniques be impressionistic, realistic,
naturalistic; content – be lyrical or consistent
© Siberian Federal University. All rights reserved
* Corresponding author E-mail address: majidoahmadini@yahoo.com
# 775 #
with the storyline <...> but, please, be logical,
<... > in the plot, in the process of creation, in the
syntax. <...> be <...> accurate and authentic – and
you will fi nd the secret of the marvelous thing –
beautiful clarity – which I would call ‘clarism”
(Kuzmin M.A. (1910), p. 6).
Almost all researchers fi rst of all note the
pastiche skills of Kuzmin, his ability to feel the
spirit and style of different cultures. However,
pastiche was not an end in itself for Kuzmin.
Having very personal attitude to tradition he
claimed: “Pastiche is the transfer of the plot in a
certain period and its realization in the specifi c
literary form of the exact time” (Kuzmin M.A.
(1910), p. 9).
2. Analysis
Kuzmin as a creator fi rst came into contact
with commedia dell’arte by writing at the request
of V.E. Meierkhold music for the production of
A.A. Block’s “Balaganchik”;
in a letter dated
Стр.3