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Вестник культурологии

Вестник культурологии №3 2019 (490,00 руб.)

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ID662827
АннотацияСодержание издания Культурология: Дайджест определяют разнообразные темы: теория культуры, культурная ангропология, постмодернизм, история культуры и другие материалы. Contents оf this issue cover various themes: theory of culture, cultural anthropology, postmodernism, history of culture and other material.
Вестник культурологии .— 1997 .— 2019 .— №3 .— 211 с. — URL: https://rucont.ru/efd/662827 (дата обращения: 05.05.2024)

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Культурология_№3_2019.pdf
 008  71.0  90         :         -  ..  – . . ., .  , ..  –   , ..  –   , ..  –   ,  , . . .. , . . . ..   :    : ..  –   , .. , ..     – ..         () DOI 10.31249/hoc/2019.03.00 ISSN 2658–3291 © « », 2019 ©  «      », 2019 2
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Institute of Scientific Information for Social Sciences of the Russian Academy of Sciences, INION RAN Federal State Budgetary Institution of Science Herald of Culturology Scientific journal N 3 (90) 2019 Published since 1992 4 Issues per year Moscow 2019 3
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 008  71.0  90 Institute of scientific information in social Sciences Center for humanitarian research and information Federal state budgetary institution of science Russian Academy of Sciences Founder: Olga Kuleshova – PhD in Philology, chief editor, Ernst Zhuk – senior researcher, deputy editor, Chief editor Olga Kuleshova, Deputy editor Ernst Zhuk Editorial board: The Department of Culturology The editors of the Herald: Lev Skvortsov – DSn in Philosophy, chairman, Svetlana Levit – PhD in Philosophy, Irina Remezova – PhD in Philosophy, Tayana Goncharova, Tatyana Fetisova Responsible for the release Tayana Goncharova The publication is included In the Russian science citation index (RSCI) DOI 10.31249/hoc/2019.03.00 ISSN 2658–3291 © Herald of Culturology, 2019 © FSBIS «Institute of scientific information on social Sciences of RAN», 2019 4
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    ..     . ........................ 11    ..        .   ............................... 29    .     XVII  ................................................ 52 1925–1935 .  -........................................................ 56  .  ()     ....... 60  . :   ,   ........................................................................................................... 63         .,  ..     - ............................. 66  .   ....................................... 73    -     ..   XVII .......................................... 75 5
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 ..  «»  «»  XX          ......................................................................................................86  ..,  .      XIX  .....................................................................................................93  .  « »    1920– 1950- :   .................................96       ..      .......................101  ..         ....................................................................................119       .    ................................122  .      ................128    .  :  .      XIX ..............................136  .. «     »:       XVIII–XIX  ..........144  .       fin de siècle ( ,      ) .................................................................................................148..     street art: ,   ........................................................152  ..    .   ........................................................................................155       .   ......................................158  ..,  ..       .....................................................................162 6
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 ..       ............................................................................... 168    ..        .................................................................................. 171  ..  –    .  ........................................................... 174      .. «  ».        ....................................................... 193  ..         ........................................................................... 198    .    .................................................. 204    ..      .................................................................................................. 208 7
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CONTENT THEORY OF CULTURE Levit S.Ya. The idea of soundsense in the works of V. Weidle...................11 PHILOSOPHY OF CULTURE Remezova I.I. The main problems in the work of Vera Il’inichna Samohvalova. Analytical review ................................................................29 HISTORY OF WORLD CULTURE Baroque. Fashion for Venice in the XVII century…..................................52 1925–1935 years. Harmony of art Deco…… .............................................56 Kaspe Irina. The meaning of (private) life and literature of Strugatsky…… .......................................................................................60 Nezhinskaya Rosina. Salome: The image of the femme fatale, which was not exicted……...........................................................................................63 THEORY AND HISTORY OF VERBAL FORMS OF ARTISTIC CULTURE Kobzev I., Orlova N.A. Life and Poetry of Bo Ju-i…… .............................66 Chistyakov George. Mystic Rose of Rilke………......................................73 THEORY AND HISTORY OF SPACE-TIME FORMS OF ARTISTIC CULTURE Gudimova S.A. Vectors of aesthetics in the XVII century………………….75 8
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Korpan L.M. The concept of «language» and «grammar» of characters in the art of Russian avant-garde and its influence on the symbolic systems of the XX century ........................................................................................... 86 Abdullina G.V., Syuy Zhun. Waltz metamorphoses in the russian music of the XIX century… ................................................................................. 93 Rutsinskaya I. The plot of the «funeral of the leader» in the Soviet painting of the 1920–1950 s: the search for iconographic canon......……………….96 SYMBOLS AND SIGNS OF DIFFERENT CULTURES Gudimova S.A. The symbolism of the temple in ancient cultures……..... 101 Shapiro B.L. Horse and rider in myths and images of Russian culture… 119 THE HISTORY OF FORMULAS, LANGUAGE AND CULTURE Dushenko Konstantin. Woman does not have a soul … .......................... 122 Dushenko Konstantin. No man is a hero to his valet de chambre ……… 128 CULTURE OF EVERYDAY LIFE Shokareva Alina. Noble family: culture of communication. Russian metropolitan nobility in the first half of the XIXth century… ................. 136 Belova A.V. «I am terribly angry at my mother»: reproductive rivalry in Russian noble families of, 18 th–19 th centuries….................................. 144 Ponomarev E. Metropolitan Restaurant as a Phenomenon of Fin-de-Siècle Russian Life (From Turgenev, Dostoevsky, and Tolstoy to Kuprin and Bunin)....................................................................................................... 148 Merzhoeva A.N. Graffiti as part of the culture of street art: peculiarities, trends of development…… ...................................................................... 152 Marchenko M.A. Moneybox as a cultural phenomenon. Evolutionary path…....................................................................................................... 155 THEORY AND HISTORY OF THE CULTURAL ENVIRONMENT Lavochkin Dmitry. Russian Paris fashion… ............................................ 158 Gerasimova Yu.L., Sosnina N.O. Costume and fashion as the embodiment of gender transformations…..................................................................... 162 Makhlina S.T. Space of popular art culture in modern Russia…..……….168 9
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MASS CULTURE Pushkin S.A. The soviet comics as an instrument to influence mass consciousness……… ................................................................................171 Fetisova T.A. Comics – a product of American mass culture. Analytical review………………………………………………………………………….174 NATIONAL CHARACTER AND CULTURE Medyakov A.S. «Dirty evil Russian». The image of Russia on the German postcards of the First World War…..........................................................193 Izotova N.N. Sumo wrestling as a way to preserve and transmit cultural values………………………………………………………………………… ..198 INFORMATION CULTURE Orobiy Sergey. The last of the museums… ..............................................204 GEOGRAPHY OF CULTURE Golomidova O.Yu. Tourism as a tool for transforming urban culture.......208 10
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