Сборник упражнений к учебнику ENGLISH X (под ред. О. В. Афанасьевой и И. В. Михеевой) (187,00 руб.)

Девяткина Сборник упражнений к учебнику ENGLISH X (под ред. <...> Сборник упражнений к учебнику ENGLISH X (под ред. <...> Михеевой) предназначен для дополнительной отработки учебного материала всех блоков базового УМК. <...> В пособии представлены тесты для самопроверки (и по содержанию раздела Topical Vocabulary, и по лексико-грамматическим материалам каждого юнита). <...> Man the Creator Developing Introduction Basics Task 1. <...> An object regarded as Art today may not have been perceived as such when it was first made, nor was the person who made it necessarily regarded as an artist. <...> Both the notion of “art” and the idea of the “artist” are relatively modern terms. <...> D. The idea of an object being a “work of art” emerges, together with the concept of the Artist, in the 15th and 16th centuries in Italy. <...> During the Renaissance, the word Art emerges as a collective term encompassing Painting, Sculpture, and Architecture, a grouping given currency by the Italian artist and biographer Giorgio Vasari in the 16th century. <...> By the middle of the century, “modernist” approaches were introduced which adopted new subject matter and new painterly values. <...> Many books and journal articles have argued over even the basics of what we mean by calling ………………. art. <...> Read the text below and then listen to the text “Ballet Dancers” (ex. 5 p.8 St’s book). <...> Answer questions 1 - 10 by choosing A (if the idea is expressed in both materials), B (if it can be found only in the reading text), C (if it can be found only in the audio-recording), and D (if neither of the materials expresses the idea). <...> Now adored, this original wax version of Edgar Degas’ Little Dancer Aged Fourteen was reviled by most critics when it was shown at the 1881 impressionist exhibition in Paris. <...> Modeled in colored wax and adorned with real hair and a fabric costume, Little Dancer decisively broke with 19th-century academic practice by introducing unusual mixed materials and frankly representing a provocative modern subject; Degas added to the controversy by exhibiting it like an anthropological specimen in a glass vitrine. <...> Degas’ uncannily realistic depiction of an “opera rat,” as young dancers <...>