Cinema World (290,00 руб.)

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Министерство культуры Российской Федерации ФГОУ ВПО «Кемеровский государственный университет культуры и искусств» Социально-гуманитарный институт Кафедра иностранных языков 40-летию вуза посвящается CINEMA WORLD ХРЕСТОМАТИЯ по чтению на английском языке по специальности 071301 «Народное художественное творчество» специализации «Кино-, видеотворчество» Кемерово 2009 248

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Утверждена на заседании кафедры иностранных языков 29.05.2009 г., протокол № 9. Рекомендована к изданию Методическим Советом социально-гуманитарного института КемГУКИ 24.06.2009 г., протокол № 6. Рецензенты: Синельникова О. В. – кандидат искусствоведения, доцент кафедры теории и истории искусств Кемеровского государственного университета культуры и искусств; Акулина Л. Н. – доцент кафедры иностранных языков Кемеровского института (филиала) Российского государственного торговоэкономического университета; Светлакова Е. Ю. – кандидат философских наук, доцент кафедры фото-, видеотворчества Кемеровского государственного университета культуры и искусств. Cinema World [Текст]: хрестоматия по чтению на английском языке для студентов очного и заочного отделений специальности 071301 «Народное художественное творчество», специализации «Кино-, видеотворчество» / сост. М. В. Денисенко, Т. Н. Юдина. – Кемерово: Кемеров. гос. ун-т культуры и искусств, 2009. – 257 с. Цель предлагаемого пособия – формирование и закрепление навыков чтения и перевода аутентичных текстов. Хрестоматия «Мир кино» будет интересна не только специалистам в области кинематографа, но и многим любителям киноискусства, которые увлекаются изучением английского языка. Составители: ст. преп. Денисенко М. В., ст. преп. Юдина Т. Н. 2

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CONTENTS I. HISTORY OF MOTION PICTURES................................................. 6 INTRODUCTION.................................................................................... 6 EARLY EXPERIMENTS........................................................................ 8 THOMAS EDISON AND WILLIAM DICKSON................................... 9 THE RISE AND FALL OF KINETOSCOPES........................................ 10 THE LUMIÈRE BROTHERS.................................................................. 12 ONE-REELERS....................................................................................... 13 SILENT MOVIES.................................................................................... 14 D. W. GRIFFITH AND HIS EPICS...................................................... 14 SILENT COMEDIES............................................................................. 15 EUROPEAN SILENT MOVIES ............................................................ 16 THE SILENT DOCUMENTARY........................................................... 18 SOUND FILMS........................................................................................ 19 EARLY TALKIES .................................................................................. 20 DEVELOPMENTS IN EUROPE .......................................................... 21 THE DEVELOPMENT OF COLOR FILMS........................................... 22 FILMS AFTER WORLD WAR II ........................................................... 23 NEOREALISM AND THE NEW WAVE ............................................... 24 THE ACHIEVEMENTS IN NEW CINEMA OF OTHER EUROPEAN COUNTRIES......................................................................................... 25 NON-EUROPEAN CINEMA ................................................................ 27 NEW AMERICAN FILMMAKERS........................................................ 29 BIG-BUDGET BLOCKBUSTERS ......................................................... 31 RECENT TRENDS.................................................................................. 33 II. THEORY OF MOTION PICTURES................................................. 36 WHAT IS MOTION PICTURE? ............................................................. 36 TYPES OF MOTION PICTURES........................................................... 37 DOCUMENTARY FILM....................................................................... 38 UNDERGROUND FILM...................................................................... 39 ANIMATED FILMS .............................................................................. 40 FILM GENRES........................................................................................ 41 MAIN FILM GENRES............................................................................. 43 253

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FILM SUB-GENRES............................................................................... 45 HORRORS!........................................................................................... 48 SOAP OPERAS..................................................................................... 49 MUSICAL FILM ................................................................................... 50 PEOPLE WHO MAKE A MOTION PICTURE...................................... 52 Producer ............................................................................................... 52 Screenwriter.......................................................................................... 52 Film Director ........................................................................................ 53 Unit Production Manager..................................................................... 53 Casting Director ................................................................................... 54 Actors .................................................................................................... 54 Stunt People .......................................................................................... 54 Animal «Actors» ................................................................................... 55 Director of Photography....................................................................... 55 Cameraman........................................................................................... 55 Designers .............................................................................................. 56 Assistant Directors................................................................................ 56 Film and Sound Editors ........................................................................ 56 Music Composer ................................................................................... 57 Other Positions ..................................................................................... 57 THE ART OF TELEVISION................................................................... 58 III. SHOOTING A MOTION PICTURE................................................ 61 GENERAL FILMING PROCESS............................................................ 61 SCRIPT .................................................................................................... 63 SETTINGS............................................................................................... 64 COSTUME............................................................................................... 65 THE SECRETS OF MAKE-UP............................................................... 66 TECHNICAL ASPECTS OF FILMING.................................................. 67 OPERATING THE CAMERA............................................................... 68 LIGHTING THE SCENE...................................................................... 68 MONTAGE............................................................................................ 69 RECORDING THE SOUND................................................................. 70 MIXING................................................................................................. 72 MUSIC .................................................................................................. 73 DUBBING............................................................................................. 74 254

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SPECIAL EFFECTS................................................................................ 75 DISTRIBUTING AND MARKETING A MOTION PICTURE ............. 79 IV. ANIMATION....................................................................................... 81 HISTORY................................................................................................. 81 ANIMATION IN EUROPE ..................................................................... 82 CONTEMPORARY DEVELOPMENTS................................................ 84 THE PRODUCTION PROCESS ............................................................. 84 TYPES OF ANIMATION........................................................................ 86 WALT DISNEY’S EARLY LIFE BEFORE HIS GREAT SUCCESS.... 88 THE WALT DISNEY COMPANY ......................................................... 90 SOYUZMULTFILM................................................................................ 93 V. FILM CORPORATIONS AND FESTIVALS................................... 96 HOLLYWOOD........................................................................................ 96 UNITED ARTISTS CORPORATION..................................................... 97 WARNER BROTHERS........................................................................... 98 METRO-GOLDWYN-MAYER, INC. ................................................... 99 PARAMOUNT PICTURES CORPORATION ....................................... 101 TWENTIETH CENTURY FOX FILM CORPORATION ...................... 102 BOLLYWOOD: INDIA'S STAR MACHINE ......................................... 104 TŌHŌ MOTION PICTURE COMPANY................................................ 107 MOSFILM................................................................................................ 107 GORKY FILM STUDIO.......................................................................... 110 LENFILM................................................................................................. 112 FILM FESTIVALS .................................................................................. 114 CANNES FESTIVAL............................................................................. 116 «KINOTAVR”....................................................................................... 118 VI. FILM CELEBRITIES ........................................................................ 120 FOUR GREAT COMEDIANS OF THE SILENT CINEMA................... 120 CHAPLIN’S FIRST APPEARANCE ON THE STAGE......................... 122 GRETA GARBO...................................................................................... 123 ALFRED HITCHCOCK.......................................................................... 124 PAUL NEWMAN.................................................................................... 126 STANLEY KUBRICK............................................................................. 128 AKIRA KUROSAWA ABOUT HIMSELF............................................. 129 255

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SEAN CONNERY................................................................................... 130 YOU KNOW MY NAME – 007............................................................... 131 JEAN-PAUL BELMONDO..................................................................... 134 JACK NICHOLSON................................................................................ 135 GEORGE LUCAS.................................................................................... 138 JOHN TRAVOLTA................................................................................. 139 LEONARDO DICAPRIO ........................................................................ 141 KIERA KNIGHTLEY.............................................................................. 143 MEGAN FOX .......................................................................................... 146 EISENSTEIN AS A TEACHER .............................................................. 149 LEONID GAIDAI.................................................................................... 150 ROLAN BYKOV..................................................................................... 152 ELDAR RYAZANOV............................................................................. 153 NIKITA MIKHALKOV........................................................................... 154 KONSTANTIN KHABENSKIY............................................................. 157 CHULPAN KHAMATOVA.................................................................... 158 SUPPLEMENTS........................................................................................ 160 LIST OF PROPER NAMES..................................................................... 160 LIST OF MOVIES ................................................................................... 178 GLOSSARY............................................................................................. 187 ENLISH-RUSSIAN VOCABULARY .................................................... 200 SLANG EXPRESSIONS......................................................................... 248 LIST OF SOURCES................................................................................. 251 CONTENTS ............................................................................................... 253 256

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