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Первый авторOsetrova
Страниц10
ID450025
АннотацияOne of the traditional images of the Russian linguistic worldview is reconstructed in the article. Based on the material of historical-detective novels about Erast Fandorin by B. Akunin and by the means of semantic analysis, three metaphorical patterns of rumors that signiёcantly diversify the ёctional world of the author were identiёed. The ёrst one creates a movable picture of the physical movement of a living being or a liquid element, which, with varying degrees of activity captures the space (“rumors circulate / go / leak”). The second one is based on the idea of the extensive and intensive sound signal with a ёxed source and spread limits, but, sooner or later, it always becomes silent (“Moscow was buzzing”; “they rustled in Europe”). The third one is controversial, it is either based on the understanding of rumors as a global and comprehensive speech act, which active subject is the whole space of communication (“the whole Paris speaks”), or reduces their process to a speciёc work of tongue as an instrument of oral speech (“evil tongues say”). These patterns are absolutely transparent in the semantic and formal-linguistic version: they are based on the reinterpretation of one phase of rumors spread – Transmitting – and exist within simple sentences. In addition, such a review of the philological literature on the subject has revealed the researchers’ attention to rumors as the working mechanism of the ёctional plot, as well as to their communicative nature. The large number of modern literary scholars and linguists are motivated by this double interest.
УДК811.161.1 + 808.1
Osetrova, E.V. Rumors: a Traditional Motif and Image in the Fictional Worldview / E.V. Osetrova // Журнал Сибирского федерального университета. Гуманитарные науки. Journal of Siberian Federal University, Humanities& Social Sciences .— 2016 .— №3 .— С. 171-180 .— URL: https://rucont.ru/efd/450025 (дата обращения: 26.04.2024)

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Humanities & Social Sciences 3 (2016 9) 695-704 ~ ~ ~ УДК 811.161.1 + 808.1 Rumors: a Traditional Motif and Image in the Fictional Worldview Elena V. Osetrova* Krasnoyarsk State Pedagogical University named after V.P. Astafi ev 89 Ada Lebedeva Str., Krasnoyarsk, 660049, Russia Received 20.12.2015, received in revised form 24.01.2016, accepted 01.03.2016 One of the traditional images of the Russian linguistic worldview is reconstructed in the article. <...> Based on the material of historical-detective novels about Erast Fandorin by B. Akunin and by the means of semantic analysis, three metaphorical patterns of rumors that signifi cantly diversify the fi ctional world of the author were identifi ed. The fi rst one creates a movable picture of the physical movement of a living being or a liquid element, which, with varying degrees of activity captures the space (“rumors circulate / go / leak”). <...> The second one is based on the idea of the extensive and intensive sound signal with a fi xed source and spread limits, but, sooner or later, it always becomes silent (“Moscow was buzzing”; “they rustled in Europe”). <...> The third one is controversial, it is either based on the understanding of rumors as a global and comprehensive speech act, which active subject is the whole space of communication (“the whole Paris speaks”), or reduces their process to a specifi c work of tongue as an instrument of oral speech (“evil tongues say”). <...> These patterns are absolutely transparent in the semantic and formal-linguistic version: they are based on the reinterpretation of one phase of rumors spread – Transmitting – and exist within simple sentences. <...> In addition, such a review of the philological literature on the subject has revealed the researchers’ attention to rumors as the working mechanism of the fi ctional plot, as well as to their communicative nature. <...> The large number of modern literary scholars and linguists are motivated by this double interest. <...> It is a specifi c phenomenon of communication – traditional, even archaic, based Elena V. Osetrova. <...> Rumors: a Traditional Motif and Image in the Fictional Worldview on thousands of years of history (Dmitriev, 1995, p. 5; Shcherbatykh, 2007, p. 204), and simultaneously an active element in the model of the modern society (Osetrova, 2007, p. 48-54). <...> In the English <...>