«
.
»
. , ,
;
.
, . ,
. ;
.
, . , .,
.
();
. , . . , ,
. .
);
,
, ,
.
,. ,
();
. , . , ,
. .
()
DITORIAL COUNCIL
P.L. Volk (Tomsk, Russia);
D.V. Galkin (Tomsk, Russia);
A.A. Sundieva (Moscow, Russia);
O.L. Lavrik (Novosibirsk, Russia);
Maracz Laszlo (Amsterdam,
the Netherlands)
A.N. Bagashev (Tyumen, Russia)
T.K. Shcheglova (Barnaul, Russia)
«
.
»
. , ,
. , ., . . ,
,
;
.
, . , . .
, . ;
.
, . . , .
;
. , . ,
, . . ;.
, .
. , , . . ;
. , . . , ,
. . ;
. ,
. , ., . .
;. ,
. . ;
. , . . , ,
. . , ;
.
, ., . .
EDITORIAL
BOARD
E.I. Chernyak (Tomsk, Russia) –
Editor-in-Chief;
K.A. Kuzoro (Tomsk, Russia) – Executive
Editor;
V.E. Budenkova (Tomsk, Russia);
L.V. Bulgakova (Tomsk, Russia);
N.A. Dolgikh (Tomsk, Russia);
O.A. Zheravina (Tomsk, Russia);
L.A. Korobeynikova (Tomsk, Russia);
T.S. Korobeynikova (Tomsk, Russia);
I.E. Maksimova (Tomsk, Russia);
V.V. Sotnikov (Tomsk, Russia)
Стр.2
,
., . .......................
5
. «» ................................................................. 15
., . .
(1858–1936) .................................................................. 24
., .
................................................................................................. 33
., .
.............................................................................................................. 40
., . :
................................................................................................... 55
. «»,
................... 64
.
.............................................................................................. 73
. XIX .
XVI–XVII .................................................................................................... 89
. :
.......................100
.:
......................................................................................................................................106
. : ?...........................................................................114
.
............................................................................................................122
.
.........................................................................................................................140
.
.....................................................................................150
.
................................................157
.
( 1960–2010-.) .....................166
.
1920–1940-..........................................................................................................................172
. .........................180
., . ............................................................................................187
. ..............................................................................................198
:
.
XIX . ................................................................204
.
)
.............................................................................................................212
............................................................................................220
Стр.3
CONTENTS
CULTUROLOGY, THE THEORY AND CULTURAL HISTORY
Babich V.N. Vityuk E.Y. The question the formation of a systematic approach at conducting
research in architecture in the framework of the paradigm postnonclassical......................
5
Boyko O.A. Archetype of «shadow» in the art of XX century .............................................. 15
Vavilov S.. Tkalenko Ya.V. The Musical-enlightenment activity of professor N.A.
Aleksandrov (1858–1936) in Tomsk.......................................................................................... 24
Dyukin S.G., Samoilova I.V. About creation the image of generalized Other in the virtual
text...................................................................................................................................... 33
Zabulionite A.K.I., Vinogradova E.V. Miracle as a meaningful form of medieval
theater........................................................................................................................................ 40
Lazutina T.V., Melnikov P.R. Specificity of the celtic world: the symbolism as a
principle of unferstanding the world............................................................................................ 55
Malikov E.V. Hermeneutic approach to the 'Swan Lake' ballet, or why Siegfried must
die within the mythopoetic landscape of this work....................................................................... 64
Morozov E.. Russian Orthodox Church role in sociocultural transformation of Russian
Federation........................................................................................................................... 73
Morozova A.V. Russian Scientists in History of Art during the second part of the XIXth
century about the Spanish Painting of the XVI–XVII-th centuries ........................................... 89
Pronkina A.V. Cosmetic practice of decorating the face in the conditions of modern
mass culture: the concretization of the conceptual apparatus of research.......................................100
ART HISTORY
rkhipova M.V. About nature music rhythmic gestures. The problem.................................106
Glazkova E.A. Infotainment in screen arts: entertaining reality or an anthropological
experiment? ...............................................................................................................................114
Katukhina A.V. Observations laws compositional work of the artist with the upper
register.......................................................................................................................................122
Ovchinnikova R.Yu. Ratio of the visual and communication elements in graphic design
...........................................................................................................................................140
Ponkina A.M. Methodological principles of David Leybman and their role in the evolution
of playing the saxophone ..................................................................................................150
Chepelenko K.O. The composer’s word as author's gesture.................................................157
Sharabarin M.I. Innovative early manifestations meter and rhythm origin the music
for mixed ensembles Russian folk instruments (period 1960–2010) .............................................166
CULTURAL HERITAGE
Dyrtyk-ool M.O. Pioneers as a sociocultural phenomenon in the Tuvan society (from
the funds of the National museum of the Republic of Tuva).........................................................172
Morozova E.V. Semantic matter of “museum policy” as scientific notion ............................180
Pronina S.A., Kimeeva T. I. Methods of stock activity in the ethnographic open-air
museums ...................................................................................................................................187
Tikhonov
V.V. To the question of the development of the skansenological way in
museology .................................................................................................................................198
THE ROLE OF LIBRARIES IN CULTURE IN HISTORY AND MODERN TIMES
Artemyeva E.B. Libraries of scientific societies of Siberia and the Far East in the XIX
century and their role in book culture development .....................................................................204
Zheravina O.A. Mage of maestro Salinas in a series of portraits of outstanding
spaniards (from Stroganov's book collection of scientific library of tomsk state univerity) ............212
INFORMATIONS ABOUT THE AUTHORS..................................................................220
Стр.4